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Friday, June 15, 6-8 pm
The Opening Night Reception at the Monterey History Center will feature Monterey
Pop Revisited, a newly installed exhibition that features:
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classic and never-before-seen Monterey Pop photos by Lisa
Law, Elaine Mayes and Tom ONeal
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original Monterey Pop artifacts and memorabilia from the show,
lent by famed festival producer Lou Adler and art director Tom Wilkes
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a very special live musical performance by Country Joe McDonald
and Mark Naftalin (Paul Butterfield Blues Band)
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Saturday, June 16 and Sunday, June 17, 9am-5pm
The Monterey Pop Revisited symposium will frame the 1967 Monterey International
Pop Festival in a historical, social and musical context. Group panels, special
events and guests include:
What a Long Strange Trip Its Been: Setting the Tone for the Weekend
Joel Selvin, music critic for the San Francisco Chronicle and author of Monterey
Pop and Summer of Love is the ideal writer to place the 1967
concert event in its proper context. His historical analysis of rock and roll
and American society will create a vivid sense of time and place to start the
symposium.
For What Its Worth: What Monterey Pop Was Like for Me
A lively panel discussion of the Monterey Pop experience featuring Joe McDonald,
David Cohen and Barry Melton (Country Joe and the Fish), Andy Kulberg (Blues Project),
Elaine Mayes (photographer), Mark Naftalin and Roy Blumenfield (Blues Project), Lisa Law (photographer), Jorma Kaukonen and Jack Casady (Jefferson
Airplane), Paul Viarrigi (stage manager), John Cooke (sound man) and other guests
to be announced.
Film Presentation of Monterey Pop
The definitive rock documentary by award-winning filmmaker D.A. Pennebaker will
be screened.
Wanna Get My Picture on the Cover
Talking about rock and roll journalism from Crawdaddy to VH 1, Writer Matthew
Greenwald and noted photojournalists Lisa Law, Elaine Mayes, Tom ONeal get
together for a discussion of the unique aspects of covering the world of rock.
You Say You Want a Revolution
The Sociology of 1967
David Farber, author of The 60s From Memory to History, will
take us back in time to the Summer of Love. His perspective puts Monterey Pop
into the middle of one of the most significant periods in American history, a
time when generations were colliding and the notions of equality and peace became
national movements.
By the Time We Got to Woodstock: Monterey Pop as a Model for Woodstock
John Morris, Woodstocks production director, compares his experiences there
with Monterey Pop as we consider the 1967 concert as the seed that created Woodstock
and the many blockbuster music festivals that have followed.
Every Picture Tells a Story: How it Came to Be
Award-winning art director Tom Wilkes designed the original Monterey Pop festival
logo and graphic images. Join him for a fascinating glimpse at how the concerts
look was imagined and then created.
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